Sisir Pesisir

The "Sisir Pesisir" exhibition stems from the uncertain nature of Gresik as a coastal city. The uncertain nature signifies the dilemma of narrating its identity, despite Gresik's history being predominantly associated with a trade-centric culture centered around the port, dating back to the era before Giri Kedaton was established. It was a time when the syahbandar (harbor master) was busy managing the docked ships and the ship's crew spent their days around the settlements of the locals.

For the generation born after the glorious era until the establishment of the republic, perhaps we can still observe remnants of Gresik's coastal glory in the 14th century. However, now that the port has turned into an industrial hub, which also means limited access to the sea, the pertinent question to ask is: what is the relationship between the people of Gresik and their sea? Or, what kind of imagination of the sea can be envisioned when the people no longer have memories of the sea?

"Sisir Pesisir" ultimately becomes an allegory for the identity of a city that experiences anomalies about its own history. This exhibition plays with irony through a study of Gresik's history, to examine the spectrum of Gresik's social history and critically reflect on how the sea (and the port) today only exist as mere rhetoric, rather than something experienced. Through this exhibition, we explore through the "non-existent" coastal region.

In this exhibition, I present an introspective reflection on my hometown of Gresik. I perceive the sea of Gresik as an enigmatic neighbor concealed behind towering industrial walls, with its access obstructed by the fences of the bustling ports, preventing me from truly understanding it as an integral part of the local culture and way of life.

To unravel the mysteries of Gresik's coastal area, I conducted meticulous research into its historical evolution and current state, delving into the factors that have brought us to the present situation. Drawing inspiration from the three-act structure commonly employed in fictional films, I constructed a narrative framework comprising the golden era, the era of decline, and the present era. To infuse a cinematic essence into my works, I also incorporated the aspect ratio of cinema in the dimensions of my paintings.

To depict the imaginative history, I used painting as my medium. In the first act, I used watercolor painting to create a romantic tone, while for the second act, I utilized charcoal and oil painting to generate a catastrophic atmosphere. In the third act, I used portraits to highlight that the issues I raised are still relevant today. To convey my message, I utilized various mediums, including photography, installations, zine, and participatory programs.

Through this exhibition, my aim is to narrate the compelling story of Gresik's coast and inspire the audience to develop a deeper appreciation for the sea while imagining how we can participate to celebrate the sea.